Show us your musical instruments or collections thread...

nakkers

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Oooh, do we need to start a "show us your musical instrument collection" thread?

I mean, we already have a watch and knife thread...
Oh oh oh, I’ll start with something completely unimpressive.


I have a Ferrington electric acoustic that looks similar to a Kramer. I’ve had many guitars that are worth more but, this one was given to me as a present and will never part with it.

And funny enough, it isn’t good at being either acoustic or electric but, does the job when asked.

 
So this came up in another thread, and as a reformed GASoholic (Gear Acquisition Syndrome for those unafflicted), I figured I'd kick off the thread to see who else played in crap blues/metal/cover bands over the years, and who spent more time thinking about gear than actually playing in bands...

I came to playing bass later in life, having been a terrible drummer as a kid. Not terrible because I didn't have rhythm, but terrible because I was allergic to practising. In my early 30's I was living in Vancouver and most of my friends were musicians of some sort, especially as many were from the East Coast, and I was briefly single again after a long on-again-off-again relationship through my 20's, so picking up an instrument seemed like the natural thing to do. I always liked bass, especially as the bridge between rhythm and melody in a band, so it was a natural fit.

Ended up getting decent enough to play in a variety of garage bands, but never any that played in front of more than about five people as the opener-opener-opener for a buddy's doom metal band that had a CD launch or something. Weirdly, my biggest gig by far was playing bass in my Anglican Church band, in front of between 50-100 people on Sunday morning, lots more if it was Easter or Christmas. That was actually huge fun, against the odds, and I miss that band and the huge amount I learned doing 5-8 different songs every week, even if a lot of the music itself wasn't to my taste.

Anyway, life story aside, I ended up collecting basses, amps, and other gear like I was prepping for a zombie apocalypse where their main vulnerability was low frequencies. At my peak, I think I had 18 basses at one time, with another 10 or so being bought and sold along the way. Here's the most interesting pic I have from when I was at my most obsessive:

1761605637437.jpeg

From left to right:

- 1976 Fender Precision Bass (sold)
- 2010 Fender American Standard P Bass (sold)
- 1963 Fender Jazz Bass (still have)
- 20?? Frankenfender w/ Nate Mendel body, Fender neck, Hammon Darkstar pickup (still have)
- 1991(?) Fender MIM J Bass w/ custom paint (was an awful purple-y blue), faux vintage hardware (sold)
- 1997 Fender Jazz Noel Redding signature (still have)
- 20?? Frankenfender with Squier maple body (yes), Fender 60th anniversary P neck, EMG Geezer Butler P/J pups (still have)
- 2010 Squier 50s P Bass (sold)
- 2009 Squier Fretless P (gifted to son)
- 197? El Degas (Matsumoku) neck-through double P (sold)
- 197? Univox Precision (gifted to son of buddy)
- 2011 Gibson SG Bass short scale (sold)
- 2017 Dingwall Combustion5 (gifted to son who now plays as main)
- 2012 Gibson Flying V bass (sold)
- 1969 Ampeg Dan Armstrong Lucite bass (sold)
- 2013 Ibanez Fireman Paul Gilbert skinny string (sold)

Not pictured:
- 2010 Rickenbacker 4003 Fireglo (traded)
- 198? Washburn Bantam headless bass (in pieces in a bag somewhere)
- 2005 Ibanez Artcore AGB140 semi-hollow (sold)
- 2009 Epiphone SG bass Negative White (gifted to random dude who had gear stolen from UHaul)
- 2016 Epiphone Jack Casady bass (sold)
- 198? Ibanez Iceman guitar (gifted to son)
- 2014 Epiphone Thunderbird Pro IV bass (sold)
- a few others I can't remember (Ibanez SGsomething 5'er, Epi Les Paul Studio POS, a variety of Squier CV and VM instruments)

For the guitar nerds out there, I was bequeathed a Teisco ET460 sharkfin that was incredible but insanely complicated. Gave it to a guitarist buddy who spent a fortune getting the electronics sorted, and it's now floating around Nova Scotia in a variety of hands. It was wasted in my mitts, but he could make it sing like a weird surfy, chimey, Strat/Tele mashup:

1761607940340.jpeg

I'm not even getting into the various tube monster and vintage amps I bought over the years, but this post is already long enough!

Post up yours! I know there's a variety of cool gear lurking out there...
 
I’ve got a 12string fender 55 thats American made looking to sell if anyone is interested

I’ve also got a six string takamine that’s been handed to my son, one those things if he learned how to play it would get him some girls 😂
 
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My collection is small. 1 Fender Strat and a Fender 15G amp.

I also have a Kazoo and a cowbell.

I played the violin, and orchestra wpercussion (timpani, snare, xylophone, cymbal, triangle and various bells) for about 10 years - that was a long time ago. I just started guitar this summer.

I hope to have a few tunes before next summers campfire season.
 
Nice!

I'm ashamed I'm nowhere near your level, especially now with my pared down collection. Also, nothing really high-end or collectible.

I used to own 5 guitars, 1 bass, 2 synths and a e-drum kit, and several FX processors. Sold my Squier Strat because... well, Squier... Sold my really nice Yami Classical, because I played it the least. Regret that.

Now, I just have a couple of guitars I noodle around on.

This is my favorite, like @nakkers, it's a Keep-Forever. A Takamine EF341C dreadnaught:

20251027_164427-X2.jpg


I had just joined a band in university, had a crap hand-me-down acoustic I was playing and I needed something reliable for an upcoming gig. I bought a bus ticket to Toronto, stepped out of the terminal at Bay and Dundas, walked 10 minutes to Steve's Music, paid my $$$ (at the time) and took the next bus back to Waterloo, concert was the week after.

Good times.

Not really a collector's item, but it has special meaning to me because of all the places and things it's seen and done. I just looked online, they're selling for $2K USD... much more than I paid back in 1990!

This is my other "axe". Again, nothing fancy, but I really wanted a Kramer because of the EVH legacy. Even though he's probably more well known for playing his own brand and of course the Ernie Ball Music Man line. It's a Kramer Assault 220FR. Twin humbuckers and Floyd-Rose + whammy. Love the tone and it didn't break the bank when I bought it.

20251027_164459-X2.jpg


My other main instrument is the Korg TR. 88 weighted keys if I want to pretend it's a Pie-ano.

20251027_164631-X2.jpg


I was into vintage synths at the time and had a nicely maintained M1 as well as a broken Yami DX-7 I kept meaning to fix (actually, I was looking to replace it with a working DX-7). These days all the patches can be downloaded as a module for DAWs, and unless you're playing live, there are such good FX processors that will pretty much run off your phone. Gone are the days when you needed a cascade of pedals littering the ground.

I did keep one pedal board though.

20251027_170947-XL.jpg


I don't play live anymore, so I never use this. Much better FX on the DAW.

Got a used Roland eDrum TD-9. It's in rough shape, the kick doesn't work. I used to have a really nice setup before, sad I sold that too, but I rarely play drums anymore. Thinking about getting a bass again, just for recording. Since we're on the topic, what do you think of the Jackson Spectra JS2 as a cheap studio instrument:


xl_1_1_0700832.webp


Anything you'd recommend in that $300 CDN price range?
 
Awesome thread! One of these days I’ll find time to fire up my old electric.

If anyone is looking to get rid of an acoustic cheap…let me know. As I want to give that a whirl.
 

Q: How do you know the drummer's at the door?
A: The knocking speeds up... then slows down... then speeds up again

Q: How do you know the singer's at the door?
A: She can't find the key and doesn't know when to come in.

Q: How do you get rid of the bass player at the door?
A: Pay him for the pizza.
 
I'm ashamed I'm nowhere near your level, especially now with my pared down collection. Also, nothing really high-end or collectible.
No shame there. I'm down to four basses and three amps now, having more was fun, but unnecessary. I also had the advantage of having a buddy who manages a Long & McQuade in the Vancouver area, as well as getting along well with the manager of the bass department in the main Vancouver store. This meant I got first crack at a lot of very cool vintage trade-ins for very fair prices.

Fortunately/unfortunately, I don't hang with any L&M employees in Ontario, so that pipeline has dried up. In the end, for all the chopping and trading, I suspect I've come out slightly ahead. Did the math once, and figured I had turned a profit of few thousand when I did a big sell-off a few years ago, mostly because of the vintage stuff. The '76 P bass and Ampeg bass in particular were extremely profitable, but I lost on anything I bought new. There are much easier ways to make a profit, though, and values have tanked lately as disposable income has dried up...
This is my favorite, like @nakkers, it's a Keep-Forever. A Takamine EF341C dreadnaught:

20251027_164427-X2.jpg


I had just joined a band in university, had a crap hand-me-down acoustic I was playing and I needed something reliable for an upcoming gig. I bought a bus ticket to Toronto, stepped out of the terminal at Bay and Dundas, walked 10 minutes to Steve's Music, paid my $$$ (at the time) and took the next bus back to Waterloo, concert was the week after.

Good times.

Not really a collector's item, but it has special meaning to me because of all the places and things it's seen and done. I just looked online, they're selling for $2K USD... much more than I paid back in 1990!
It's the stories that make them keepers. Two of the four I have left are parts-bin Frankenfender basses I assembled and modded because I couldn't find anything that scratched that particular itch. One has a $1000 neck bolted to a $25 Squier body, and I wouldn't change it for anything.

I was into vintage synths at the time and had a nicely maintained M1 as well as a broken Yami DX-7 I kept meaning to fix (actually, I was looking to replace it with a working DX-7). These days all the patches can be downloaded as a module for DAWs, and unless you're playing live, there are such good FX processors that will pretty much run off your phone. Gone are the days when you needed a cascade of pedals littering the ground.
I hear you with the DAW thing, though I have a buddy in Montreal who's into analogue syths, and he loves the unpredictability of them, how they can sound wildly different on different days despite the same settings. All the patch cables and filter f*ckery are a bit much for my caveman brain, but they sound fantastic.

Got a used Roland eDrum TD-9. It's in rough shape, the kick doesn't work. I used to have a really nice setup before, sad I sold that too, but I rarely play drums anymore.
A great place for good value e-drums is the L&M rental department. They basically have a policy where they will sell any rental instrument with a formula where they knock a specific amount off based on how long it has been rented, regardless of condition. If you can find an e-drum set that was rented to a kid who never practised or played it, you can get a mint one for a great deal. That's how I got the one in my top pic. You can also get individual components for the Roland drums (and upgrade them), so that kick should be fixable.

Thinking about getting a bass again, just for recording.

Anything you'd recommend in that $300 CDN price range?
Can't speak to that Jackson in particular, but I I started staying away from the cheap Fender and Gibson brands after having a few where the necks warped over time, likely due to cheap and/or improperly cured wood.

I would say that $300 is probably a bit on the low end for the best value instruments. I really like Yamaha for having bulletproof QC, and I'd spend an extra hundo for the BB bass here. You can probably find one used for a good bit less, but in both cases, make sure the neck isn't bad. Factory setups are usually high because people hate buzz, but I wouldn't buy anything without at least knowing the truss rod works. If the neck has too much relief, most L&M's will have someone who can straighten it, even if the action is still high at the bridge.

I have a large organ. The website has a picture size cap though.
Sometimes it's all about finding the right angle to fit it in without bottoming out...

My main rig, from about 1982 until the pandemic.

View attachment 76494
Nice! Bryston 3B power amp for the true '80's SS tone, straight HiFi! Those trannies and flight cases are making my back ache just looking at them, though.

I need to know more! Are those JBL drivers with the aluminum dust caps? Are the cabs custom? And what is that bass? Early '70s P with a P/J mod?

Closest I have is a vintage Traynor 215 cab I loaded with JBL D140s that I drive with an Acoustic 370 amp. It's the opposite of your Bryston, dirty as an Amsterdam window sitter. Great for my John Paul Jones wannabe noodling without having to haul around a 360 and stand 30' away to hear it properly...
 
I built those cabs around 1980; two copies of each. In the good old days, on a big stage I would occasionally put a second 15 on the other side of the stage so they could hear my bottom only. They are covered in ABS, like flight cases, and have been across the country a few times. They are bulletproof. The grilles are made from ash hockey sticks, scrounged from the barrel of broken sticks at the arena; and expanded metal scrounged from the scrap bin at Expamet in Rexdale. They are TL design; loaded with a JBL K140 and a K120, and bi-amped using the 3B in stereo and the crossover in the PB1 pre-amp. Before the bi-amp rig I used two 15s and an Acoustic 470, which I still have. The bass is a '72 body and a '65 neck, with EMG pickups and a Badass II bridge. It's still my number one workhorse. The rig is deadly and can fill an arena! I haven't had the need to use it in a few years. Don't play as many arenas these days.
 
I built those cabs around 1980; two copies of each. In the good old days, on a big stage I would occasionally put a second 15 on the other side of the stage so they could hear my bottom only. They are covered in ABS, like flight cases, and have been across the country a few times. They are bulletproof. The grilles are made from ash hockey sticks, scrounged from the barrel of broken sticks at the arena; and expanded metal scrounged from the scrap bin at Expamet in Rexdale. They are TL design; loaded with a JBL K140 and a K120, and bi-amped using the 3B in stereo and the crossover in the PB1 pre-amp. Before the bi-amp rig I used two 15s and an Acoustic 470, which I still have. The bass is a '72 body and a '65 neck, with EMG pickups and a Badass II bridge. It's still my number one workhorse. The rig is deadly and can fill an arena! I haven't had the need to use it in a few years. Don't play as many arenas these days.
Love the rig. Anyone playing their own concoction rather than just another muddy Ampeg fridge is good with me. The bass is classic, too. When I got my '76 P, it had the classic late '70s combo of a Badass bridge and DiMarzio Model P pickups with the cream covers. I swapped the originals back in, but the guy at L&M who I got the bass from said the Model P's were probably more period correct, considering everyone did a swap of some kind at the time...

Even (or especially) if you did still play arenas, everything is about the preamp and DI now. All the guys I know who tour professionally just play with a DI and in-ears these days, maybe have an amp on the stage as a prop. The only exception would be a guy who plays in a metal band where big power tube distortion from C standard tuned instruments is a key part of their sound.
 
In 1982 I walked into Steve's Music for no particular reason; just browsing with time to kill. Squiers had just come out. I picked one up and was so astounded at the quality that I bought it on the spot. It's an exact copy of a '62 with a very low price tag, and the grain in the neck is incredible. I assumed that the electronics would be crappy at that price, so I soon installed a DiMarzio that I had laying around. Of course I still have it. These pics are recent.

Squire-and-SC.jpg

Squier Neck Slab Fingerboard.jpegSquier Neck End Grain.jpeg
 
I assume @Matt Rain has things that could be contributed to this thread.

As for me, In a past life, I helped others get the best out of what they had. I had the opportunity to touch and play with a lot of awesome stuff.

The only musical instruments I have are my dads accordion and concertina. I can make noise but not play them.
 
In 1982 I walked into Steve's Music for no particular reason; just browsing with time to kill. Squiers had just come out. I picked one up and was so astounded at the quality that I bought it on the spot. It's an exact copy of a '62 with a very low price tag, and the grain in the neck is incredible. I assumed that the electronics would be crappy at that price, so I soon installed a DiMarzio that I had laying around. Of course I still have it. These pics are recent.

View attachment 76526

View attachment 76527View attachment 76528
Most of those early Japanese Squiers of the era are now worth more than their Fender counterparts, as the US Fender factory was in a total mess at the time and making pure junk. Fender spun off Squier to compete with the excellent clones coming out of Japan (Tokai Hard Puncher being a personal favourite), and even their own copies were better than the garbage originals of the day.

Eventually Squier became more of a true cheap brand as they shifted production away from Japan to other parts of Asia, and Fender started making the fabled MIJ and CIJ Fenders that they sadly killed a few years ago. The closest copy of my '63 Jazz I've ever played is the MIJ Noel Redding signature bass I ended up buying. Has the same neck and similar sounding mellow pickups, closer even than many (much more expensive) Fender Custom Shop examples I've tried.

PS - '82 Squier plus Genz Benz amp and Barefaced cab screams TalkBass. Have to assume you were active there, maybe still are?
 
This thread makes me smile. With the threads we have on the go, we could form a band! Bikes, booze, band, and……..gotta keep it clean for the mods. Babes? Ballers!


Anyways, carry on!
 
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